Each track can have up to 8 effects. Notes played on an external controller or recorded in a pattern are processed and sent to the outputs in real–time by the effect engines. All the effects are non-destructive, and can handle polyphony.
The position of an effect in the chain is very important: an Harmonizer placed after an Arpeggiator will not sound like an Arpeggiator placed after an Harmonizer. Please note that it is possible to add multiple effects of the same engine on the same track (e.g. chaining two arpeggiators).
Every effect parameter can be edited in real-time via CC message and CV inputs, thanks to the modMatrix. Press Y in effects mode to access the modMatrix.
New! Press effects while already in effects mode to toggle between the effect parameters view and the FX menu. This makes it quick to jump between performing on an effect and browsing the rack.
Effect list
ARPEGGIATOR generates looping arpeggiated patterns from incoming notes.
New! BERNOULLI probabilistic gate that routes incoming events between two paths (A and B).
CHANCE plays or skips a note based on probability, in order to add variations to drum patterns and melodies.
ECHO creates copies of incoming notes, simulating an audio delay effect by using velocity MIDI data to decrease volume.
ENVELOPE generates an AHDSR envelope (attack/hold/decay/sustain/release) triggered every time a note comes through it.
FILTER filters out a range of notes or modulation values.
LFO generates different types of high resolution waveforms.
GLIDE interpolates note pitch.
HARMONIZER turns single notes into chords.
New! HOLD sustains incoming notes inside the FX chain, with HOLD or RELATCH behavior.
New! MIDI OUTPUT sends MIDI at any point of the FX chain, for split MIDI+CV workflows and multi-destination routing.
NOTE TO CC transforms notes and velocities into CC messages.
MOD TO NOTE transforms modulation into notes.
RANDOM randomly alters notes velocity/pitch/octave.
RATCHET truncates an incoming note into multiple notes.
New! REGISTER generative effect based on a shift register (Turing Machine style), producing evolving melodic patterns.
SCALE quantizes incoming notes to a given scale.
SWING shifts the positions of incoming notes to produce groove variations.
Basic actions
Add an Effect
To add an effect, Select an empty effect slot by scrolling with the encoder, then Press the encoder to enter the effect selection menu:
Select the desired effect and Press the encoder to confirm.
Tip Hold an empty effect pad to quickly select this slot and enter the "add effect" menu.
Edit an Effect
Select an effect and Press the encoder to enter the effect's parameters menu:
Select an effect and Hold the encoder to enter the effect's contextual menu, which includes actions such as EDIT, COPY, DELETE, ...
To paste an effect in an empty slot : Select the slot and Hold the encoder to access the contextual menu. You can then select the PASTE option. You can also paste effects from tracks to tracks.
Tip Hold an existing effect pad to quickly select this slot and enter the "edit effect" menu.
Tip While being in the "edit effect" menu, simply Press a pad to quit this menu.
Mute/unmute effects
There are two types of mute states in Hermod+ :
Pattern Mute
Press a pad to mute/unmute the corresponding effect locally. As this effect will only be muted in the current sequence, this action is a pattern mute.
Global Mute
Hold effects and Press a pad to mute/unmute the corresponding effect globally. In this case, the effect will be muted across all sequences.
FX 1 is muted globally (GLOBAL MUTE), FX 2 is muted locally (PATTERN MUTE) and FX 3 is enabled.
Tip Effects with a destination (i.e. ENV or LFO) will send out the default value before muting.
Pattern values
While a track can hold only one effect rack, it is possible to set specific values for effect parameters at a pattern level.
Once an effect has been added in the FX rack, Press the encoder to access its parameters.
To set a pattern value for a parameter, Scroll to highlight it and Hold the encoder to toggle between global value (shared by all patterns) or pattern value (this pattern only).
The OCTAVE parameter is set to +1, only in the pattern 2. Other patterns can hold different values.
ModMatrix
The modulation matrix allows you to control effect parameters using various sources, such as: — CV inputs (A, B, C or D) — MIDI Control Messages inputs (CC1 to CC119) — Recorded automation (MOD, MOD2, MOD3, MOD4)
To enter the ModMatrix, make sure you are in effects mode and Press Y .
There are 4 slots of modulations available per track. To Select a slot, Press the corresponding pad:
... and use the encoder to set the source and the destination value:
Set the "source" input (a midi CC or a CV input) with the encoder. This input will control the assigned parameter.
Set the "effect parameter" to be controlled.
Note The modMatrix does not directly control the effect parameters, but it adds an offset to these parameters. So you can still perform with the FX parameters in the effects mode, while modulating them with a CV or CC input.
Tip By default, CV inputs ranges from -5V to +5V, but other ranges are available from the CV/GATE section of the settings menu.
ModMatrix attenuverter/offset
Each routed modulation input is going through an attenuverter/offset stage before being sent to its destination.
To access this mode, if the modulation is created, Press the corresponding pad:
You can use the encoder to fine tune: • the ATTENUVERTER, from -100% to 100%. It can attenuate the source signal, and even invert it when the value is negative. • the POLARITY, useful to increase/decrease (⬅⮕) or to increase only (⮕) the destination FX parameter. • the OFFSET, adjusting the default effect parameter value, when no source is applied.
The horizontal dotted line displays the full modulation range available. The horizontal line displays the final working range of your destination (that you can fine tune with the above parameters). The dot will move according to the source value. When the input source varies, you will see the destination parameter value change in real time (and the little dot will move around the working range).
Arpeggiator
Generates looping arpeggiated patterns from incoming notes.
STYLE ORDER UP ... SILENCE 1 OUT OF 3 Direction of the arpeggiated pattern. ORDER will play notes in the order they were played. UP plays the pattern from the lowest note to hightest. RANDOM will play notes in a random order.
RATE 1/1 ... 1/64 Speed of the pattern. A rate of 1/4 will play a note of the arppegio every beat.
OCTAVE -5 ... 0 ... +5 To create octaves progression. If OCTAVE=1 the arpeggiator will play the original pattern, followed by the same pattern one octave higher. If OCTAVE=-2 the arpeggiator will play the original pattern, followed by the same pattern one octave lower, followed by the same pattern two octaves lower.
GATE 0% ... 200% Determines the note lengths. The maximum value depends on the rate value.
HUMANIZE 0% ... 100% Adds some randomness to the velocity and gate length.
RE-TRIG -- NOTE 8BARS ... 1BAR 1/2 ... 1/16 When active, the arpeggiated pattern will restart upon the set interval, or on every added note.
REPEAT -- x1 ... x16 If enabled, the arpeggiated pattern will loop only for the defined amount of cycles.
Bernoulli New!
Probabilistic gate that routes incoming events between two paths, A and B, based on a probability value.
At 0%, every event goes to A. At 50%, each event is a coin flip between A and B. At 100%, every event goes to B.
PROBABILITY 0% ... 50% ... 100% Sets the probability that an incoming event is routed to path B. • 0% : always A. • 50% : random coin flip between A and B. • 100% : always B.
OUT A PORT -- MIDI USB DEV USB HOST MIDI port for path A. Set to -- to disable path A.
OUT A CH CH1 ... CH16 MIDI channel for path A.
OUT B PORT -- MIDI USB DEV USB HOST MIDI port for path B. Set to -- to disable path B.
OUT B CH CH1 ... CH16 MIDI channel for path B.
Tip Send A and B to different MIDI channels or ports to drive two different synths from the same track, with the probability deciding which one plays each note.
Chance
Plays or skips a note based on probability, in order to add variations to drum patterns and melodies.
CHANCE 0% ... 100% If ”0%”, the note will never be played. If ”50%”, the note has a fifty-fifty chance to be played. If ”99%”, the note will almost always be played.
LOT -- BAR BEAT 1/8 1/16 1/24 1/32 When OFF, each note will "roll a die" to either play or not. When active, rather than evaluate each note individually, the Chance effect groups notes in time intervals, and "rolls a die" for that interval. Either the full interval plays, or it does not.
CHANCE = VELOCITY -- ON When active, the note will have a probability of being played proportional to its velocity (0-127). Very handy for programming different per note probability.
SYNC -- BAR BEAT 1/8 1/12 1/16 1/24 1/32 Adds a unique probability per time division. If sync = ”1/4”, all notes that fall precisely on a quarter note will have a special probability of being played, determined by the next parameter, "sync chance".
SYNC CHANCE 0% ... 100% The probability of a synced note to be played. For example, if sync = ”1/4” and sync chance = ”100%”, all beat notes will be played.
Echo
Creates copies of incoming notes, simulating an audio delay effect by using the velocity data to decrease volume.
TIME 1/1 ... 1/64 Amount of time between the original notes and the delayed notes.
REPEAT 0 1 ... 16 Number of delayed notes.
FADE VELOCITY -- LINEAR EXPONENTIAL LOGARITHMIC Enables the MIDI velocity decrease, from the original note to the last delayed note.
This fade out can be linear, exponential or logarithmic.
FADE GATE -- LINEAR EXPONENTIAL LOGARITHMIC Enables the gate length decrease, from the original note to the last delayed note.
This fade out can be linear, exponential or logarithmic.
FADE PITCH UP -- +1 +60 Enables a pitchshifting, up to the desired amount of transposition
(for example, +12 will make the last delayed note one octave higher).
FADE PITCH DOWN -- –1 –60 Enables a pitchshifting, down to the desired amount of transposition
(for example, –18 will make the last delayed note 18 semitones lower).
Tip When using both FADE PITCH UP and FADE PITCH DOWN, the first delayed note will be pitched up, the next one will be pitched down, and so on...
Envelope
AHDSR envelope, with variable curvature per section, which can be assigned to any destination. It is triggered every time a note comes through it.
New! When the destination is set to AFTERTOUCH, an incoming aftertouch value of 0 during the sustain phase now triggers the release stage. This makes the envelope follow the aftertouch gesture: hold the key with pressure to stay on sustain, drop the pressure to 0 to fall into release.
ATTACK 0% ... 100% Determines how quickly your destination will reach its maximum value before entering the Hold phase.
HOLD 0% ... 100% Holds the attack value at its maximum for a specified time before decay phase. Its default value is set to 0% as hold time is optional.
DECAY 0% ... 100% The decay phase determines the length of the drop from the peak level to the sustain level of a sound.
SUSTAIN LEVEL 0% ... 100% Level of the steady state (note ON), until the key is released.
RELEASE 0% ... 100% The final phase determines the speed at which a sound ends from the moment you release the key.
DEPTH 0% ... 100% Scales the ENV.
OFFSET -100% ... 100% Offsets the entire AHDSR curve.
CURVE A (ATTACK) LOG -100% ... EXP 100% Changes the shape - logarithmic or exponential - of the attack curve.
CURVE D (DECAY) LOG -100% ... EXP 100% Changes the shape - logarithmic or exponential - of the decay curve.
CURVE R (RELEASE) LOG -100% ... EXP 100% Changes the shape - logarithmic or exponential - of the release curve.
SIDECHAIN ALL C0 ... B9 When set to ALL, any MIDI note-on message will restart the envelope. When set to a specific note, only note-on messages of the selected note will restart the envelope.
Tip When the destination is set to VELOCITY, and the SIDECHAIN is set to a specific note, the sidechain note will not be affected by the envelope. A use case for this is ducking drums when the kick-drum hits, but leaving the kick drum at its full velocity.
MODE GATE ON WAIT AHD TRIG GATE ON is the 'traditional' behaviour of envelope generators. A note-off message of the sidechain note will immediately short-circuit the envelope to its release stage, regardless of the current stage.
When set to TRIG, note-off messages are ignored, and the envelope always goes through the Attack, Hold, Decay and Release stages, but always skips the Sustain stage. This results in a consistent timing of the envelope regardless of the length of the sidechain note, making this option particularly suited to trigger envelopes with short notes, or trigs.
When set to WAIT AHD, the envelope will have to wait for the Attack, Hold and Decay stages to complete before ever going into the Release stage. In other words, short-circuiting to the Release stage may not happen during either of the Attack, Hold, or Decay stages. This ensures a minimum guaranteed time of the envelope, but the Sustain stage is not always skipped. This hybrid behaviour is similar to TRIG mode when triggered by short gates, but similar to GATE ON mode when triggered by longer gates.
DESTINATION MOD MOD2 MOD3 MOD4 PITCHBEND AFTERTOUCH CC0 CC1 ... CC119 Selects the CV or MIDI destination of the envelope. Tip When using DESTINATION = MOD, set the track layout 2 VOICES ► MONO + MODULATION : the ADSR signal will be sent on the modulation CV voice (the second voice).
RETRIG ATTACK FROM ZERO EQUAL TIME EQUAL SLOPE Changes the behaviour of the attack stage when retrigging the envelope.
RETRIG ATTACK: From Zero
RETRIG ATTACK: Equal Time
RETRIG ATTACK: Equal Slope
Tip When muting, deleting, or changing the destination of the envelope, the "default value" is sent. For an envelope, the default value is the value of the OFFSET parameter.
Word of caution
Hermod+ was not designed to be an audio-rate signal generator, so the envelope might not be as smooth as dedicated EG modules.
Using it as volume control on a VCA might result in "zipper noise", if the VCA has a fast enough response time.
Early hardware revisions of Hermod+ may be more susceptible to this, as their hardware antialiasing filter had a higher cutoff frequency. Newer hardware revisions (REV3 and newer) and the xp32 greatly mitigate the issue by using a lower cutoff frequency.
The issue may be mitigated by processing the envelope through either
A slew limiter.
A low pass filter with a cutoff frequency of around 1.5kHz~2kHz. Even a passive RC lowpass filter could do the trick, for example with a series resistor of 1kOhms, and a parallel capacitor of 100nF.
Euclid New!
Generates rich polymetric rhythmic patterns.
NOTE INPUT C0 ... C10 When set to "IN", Euclid will use the incoming notes. For example, if you hold the C, E, and G notes, Euclid will play a major C chord in the chosen rhythm. Alternatively, you can choose to ignore the input, and generate a euclidean rhythm with a fixed note, while incoming notes will be passed on to the next effect, untouched. Adding multiple Euclid effects on the same rack (with different notes) is an easy way to generate complex polymetric rhythms.
STEPS 1 ... 32 Sets the length of the euclidean pattern in steps.
FILLS 1 ... 32 Sets the amount of filled steps among the total number of steps.
RATE 1/1 ... 1/64 Determines the rate at which the euclidean pattern will be played.
GATE LENGTH 0% ... 100% Sets the gate length of played notes.
ROTATE 0 ... 31 Shifts the computed euclidean pattern.
RESET -- NOTE BAR 1/2 ... 1/16 8 BARS ... 1 BAR New! Defines when the euclidean pattern restarts from its first step. Set to -- to let the pattern run free. Set to NOTE to restart on every incoming note. Set to a clock division to restart on a synced interval.
MOD AMOUNT 0% ... 100% Alternatively increases and shortens the length of played notes, taking into account the 'gate length' parameter.
MOD SPEED 1/64 ... 128/1 Sets the speed of the length modulation.
Filter
Filters out a range of notes or modulation values.
NOTE VAL MIN / NOTE VAL MAX C0 ... C10 If "VAL MIN" < "VAL MAX", sets the range of notes that will pass through. If "VAL MIN" > "VAL MAX", sets the range of notes that will be blocked.
MOD VAL MIN / MOD VAL MAX 0 ... 127 Similarly to notes, CC messages falling in the defined range can either be passed through, or blocked.
Glide New!
Interpolates note pitch.
GLIDE TYPE NONE LINEAR EXPONENTIAL SMOOTH Sets the glide curve type.
GLIDE TIME 0 MS ... 2500 MS 3 S 5 S 10 S 30 S 60 S Duration of the glide. New! The range is 0 to 2500 ms in 10 ms steps, then jumps to 3 s, 5 s, 10 s, 30 s and 60 s for slow drones and long evolving pitch ramps.
Harmonizer
Creates a chord from a single note input.
ORIGIN -- ON When ON, passes the incoming MIDI notes through, adding the generated chord notes. When OFF, drops the incoming notes, and only outputs the harmonized notes.
HARMO 1 ... 4 -24 ... -- ... +24 Sets a note to add to the incoming note to form the chord, in relative semitones.
Hold New!
Holds incoming notes inside the FX chain, so that downstream effects keep receiving a sustained chord even after the keys are released.
Useful for layering an Arpeggiator or a Harmonizer that needs a continuous note input, or simply to free your hands while a chord keeps playing.
MODE HOLD RELATCH HOLD works as a toggle. Pressing a new note adds it to the held chord. Pressing a note that is already held removes it from the chord. Notes stay held until you toggle them off.
RELATCH rebuilds the chord on each new gesture. As long as at least one key stays physically held, new notes stack into the chord. The moment all keys are released, the next note you press releases the previous chord and starts a fresh one.
MAX NOTES NO LIMIT 1 ... 12 Caps the number of notes held simultaneously. When the limit is reached, the oldest held note is released to make room for a new one.
RESET RESET Releases all currently held notes immediately.
Tip Combine the HOLD effect with the ON AIR pads: held notes are reflected on the pad matrix, so you can see the active chord at a glance.
LFO
Generate different types of high resolution waveforms.
WAVEFORM SINE TRIANGLE RAMP SQUARE RAND Selects the waveform of the LFO.
DESTINATION MOD MOD2 MOD3 MOD4 PITCHBEND AFTERTOUCH CC 0 ... CC 119 Selects the CV or MIDI destination of the LFO. New! The LFO can also be routed to any MIDI Control Change (CC 0 to CC 119). Tip When using DESTINATION = MOD, set the track layout 2 VOICES ► MONO + MODULATION : the LFO signal will be sent on the modulation CV voice (the second voice).
SYNC -- ON Selects whether to tie the waveform period to the BPM of the project or not.
SYNC RATE 1/64 ... 128/1 Selects the synchronized rate of the LFO.
UNSYNC RATE 0% ... 100% Increases the frequency exponentially, from 0.1 Hz to 1kHz approximately.
RANGE -100% ... 100% Sets the amplitude of the LFO. Negative values invert the waveform.
OFFSET -100% ... 0% ... 100% Adjusts the central value of the LFO, shifting its range.
PHASE -180° ... 180° Shifts the starting phase of the LFO.
MUTE W/ TRACK -- ON New! When ON (default), the LFO mutes when its track is muted, sending its default value. Set to -- to keep the LFO running even when the track is muted.
Tip Incoming messages are used to further offset the LFO, on top of the OFFSET parameter. For example, if the LFO is used to modulate the pitchbend for a vibrato effect, the pitch wheel of an input controller will still work and offset the LFO.
Tip When muting, deleting, or changing the destination of the LFO, the "default value" is sent. For an LFO, the default value is the current center value, as computed from the OFFSET parameter, and previously received messages.
Mod to note
Creates notes from incoming CC/CV modulations. It uses the CC/CV values coming from the input ports, or from the internal player.
SAMPLE RATE SAMPLE/HOLD 1/64 ... 1/1 If SAMPLE/HOLD is selected, inputed modulation will be "captured" when a note ON is received (from an input port or from the internal player) and a note will be outputed (its gate length will follow the note duration). If a quantize value is selected (e.g. 1/16), this parameter will set the interval between two captures of the modulation signal value, in sync with the BPM.
NOTE MIN C0 ... C10 Defines the lowest note that will be generated by the modulation.
NOTE MAX C0 ... C10 Defines the highest note that will be generated by the modulation.
PASS MOD OFF ON If ON, the incoming modulation will be passed through. If disabled, only the resulting note will be output.
Note This effect is designed to be used on a MONO (NOTE) track, as it will generate monophonic notes.
Note This effect will generate notes only if Hermod+ is playing.
MIDI Output New!
Sends MIDI at any point in the FX chain. This unlocks split workflows where part of the chain is sent to a MIDI destination (an external synth, the USB host, the USB device, or another track) while the rest of the chain keeps processing for the CV outputs.
You can place several MIDI Output effects in the same rack, each with its own port and channel, to fan out a single track to multiple destinations.
MIDI CHANNEL CH1 ... CH16 MIDI channel of the output.
MIDI PORT -- MIDI USB DEV USB HOST Selects the destination port. Set to -- to disable the output.
SEND NOTES OFF ON Send Note On / Note Off events to the selected port.
SEND CC OFF ON Send Control Change events.
SEND PITCHBEND OFF ON Send Pitch Bend events.
SEND AFTERTOUCH OFF ON Send Aftertouch events.
VELOCITY SCALE 0% ... 200% Scales outgoing note velocity. Useful to compensate for soft or hard external synths.
Tip Place a MIDI Output effect just before a Harmonizer or an Arpeggiator to record the original notes to an external synth, while the CV outputs keep playing the harmonized version.
Note to CC
Transforms notes and velocities into CC messages.
CC DESTINATION 0 ... 119 Sets the CC that will be sent.
CC VALUE NOTE VELOCITY NOTE ON/OFF Determines the note parameter that will be transformed into a CC value. If 'Note Velocity' is selected, the resulting CC will have the value of the incoming note velocity. If 'Note On/Off', the CC will be set to 127 upon a note ON, and reset upon a note OFF.
CC DEFAULT VALUE -- 0 ... 127 If this parameter is set, a default value is sent when there are no more notes to convert to CC.
PASS NOTES OFF ON If ON, the incoming note will be passed through. If disabled, only the resulting CC will be output.
Randomizer
Randomly alters notes velocity/pitch/octave.
NOTE– / NOTE+ 0 ... 12 Increases the random pitch range downwards and upwards respectively. For example, an incoming note of 60 (C5) with NOTE– = 1 and NOTE+ = 4 will be randomly transposed to a pitch value between 59 (B4) and 64 (E5).
OCTAVE– / OCTAVE+ 0 ... 5 Increases the random octave range downwards and upwards respectively. When active, notes will randomly be transposed up or down by octaves, within the selected range.
VELO– / VELO+ 0% ... 100% Increases the random velocity range downwards and upwards respectively.
LENGTH 0% ... 100% Increases the range of incoming notes lengths by delaying their NOTE OFF messages. At 100%, lengths will be randomly increased up to a whole note (4x 1/4 notes = a bar in 4/4).
CHANCE 0% ... 100% Per note probability of randomization of the active parameters.
Ratchet
Truncates an incoming note into multiple notes.
RATE 1/64 ... 1/1 Sets the output rate of ratcheted notes.
GATE LENGTH 0% ... 100% Sets the length of ratcheted notes.
MOD AMOUNT 0% ... 100% Alternatively increases and shortens the length of played notes, taking into account the 'gate length' parameter.
MOD SPEED 1/64 ... 128/1 Sets the speed of the length modulation.
Register New!
Generative effect based on a shift register (Turing Machine style). At each clock step, the register shifts and feeds its most significant bit back to its input, with an adjustable probability of flipping that bit. The register value is then mapped to a note. With no randomness the sequence loops forever; add randomness and it keeps mutating.
A note is generated on every step where the register's top bit is set (or on every step when STEADY is enabled). The effect generates its own notes; incoming notes pass through.
SEED 0 ... 255 Initial value loaded into the register. The same seed always starts the same pattern. The register is re-seeded when the effect is unmuted.
RATE 1/32 ... 1/4 ... 8/1 Clock rate at which the register steps and notes are generated.
BITS 2 ... 8 ... 16 Length of the shift register. Shorter lengths give shorter, more repetitive loops; longer lengths give longer, more complex sequences.
CHAOS LOCKED 1% ... 99% LOCKED Probability that the fed-back bit flips at each step, i.e. how much the pattern mutates. • 0% (LOCKED) : the sequence repeats without change. • 50% : maximum randomness. • 100% (LOCKED) : the sequence is locked again (every bit flips, so the pattern is stable).
CENTER C-2 ... G8 Center note around which generated notes are distributed.
SPAN +-0 ... +-60 Note range (in semitones) above and below CENTER that the register value is mapped to. At +-0, every step plays CENTER.
GATE 1% ... 100% Length of the generated notes, as a percentage of the step duration.
STEADY -- ON When OFF, a note is generated only on steps where the register's top bit is set, creating a rhythmic pattern. When ON, a note is generated on every step.
Tip Set CHAOS to a low value for a slowly evolving melody, or to 0% once you find a loop you like to lock it in place.
Scale
Quantizes incoming notes to a given scale.
COLOR MAJOR MINOR ... INTERVALS Divides the scales into families.
SCALE MAJOR PENTA M ... CHROMATIC Sets the scale that will be the reference for quantizing pitch values for incoming notes.
KEY C ... B Sets the root note of the selected scale.
STICK UP DOWN FILTER ALGO1 ALGO2 When an incoming note is out of scale, determines how an out of scale incoming note will be corrected.
For example, if selected scale is C Maj, an incoming out of scale note C# will be processed like:
Down : C# scaled to C
Up : C# scaled to D
Filter : C# is ignored (not played)
Odd up : C# scaled to D (odd midi note numbers are scaled up, even numbers are scaled down)
Odd down : C# scaled to C (odd midi note numbers are scaled down, even numbers are scaled up)
TRSP -36 ... +36 Transposes the note before correction.
Swing
Shifts the positions of incoming notes to produce rhythmic variations.
GROOVE 0% ... 50% ... 100% Percentage of swing. 50% has no effect on notes position. 51% to 100% will delay the off–grid notes position. 49% to 0% will delay the on–grid notes position.
SYNC 1/1 ... 1/24 Swing quantisation grid. 1/16 is the classic value.
ACCENT 0% ... 100% Amount of velocity accent. Emphasizes the off–beat notes when under 50%, and the on–beat notes when above 50%.
HUMAN 0% ... 100% Slightly randomizes the position of swung notes (humanizer).
by scrolling with the encoder, then Press the encoder to enter the effect selection menu:
to quickly select this slot and enter the "add effect" menu.
